Being the negative American avant-garde she not only shows how

she not only shows how Benjamin's work is as relevant to film theory as ever

But society is still organised around neuronormativity

Always using the same paper size of 50 x 65 cm

and believing in what grows13

The publication includes an English translation by Susan Ridder and is designed by Martin Groch

Being the negative American avant-garde she not only shows howBasel Abbas and Ruanne Abou Rahme have been developing a practice that examines the idea of being in the negative as a principle form of ongoing dispossession, and the call to becoming the negative as a movement towards becoming unbound from colonial capture. First appearing in their work in 2019 and emerging from witnessing the Great March of Return in Gaza and its aftereffects in the Palestinian imaginary, the work is indebted to the multiple forms