Andrey Tarkovsky: Sculpting in Time Gosha Rubchinskiy Produced as a three-colour silkscreen

Produced as a three-colour silkscreen by esteemed print fabricators Jealous

flexible and underpaid labor force

with the artist often producing prints and sculptures that refer to and question political ideologies

statements

and part cultural criticism

Andrey Tarkovsky: Sculpting in Time Gosha Rubchinskiy Produced as a three-colour silkscreenUniversity of Texas Press, 1989, Softcover, 254 pages, 21. 5 19 cm The original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his