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and theatres that no longer rewards wastage and consumption but instead favours encounters and integration
the Thames documented by Dewe Mathews invites you to look beyond morethe river to consider religious and secular rituals
’ its application extends much further
that one has come to expect from Jason Fulford
and new work by Tauba Auerbach
System Beauty #2 materials and theatres that no longerFrom the editors letter: Its hard to distill Isamaya Ffrench into being just a make up artist. One minute shes transforming herself into a grotesque tentacled beast, the next shes recreated the delicate glass tears of a Man Ray photograph. The result is unsettling and exquisite, glamorous and eldritch, otherworldly and at times, just plain bonkers. As such, she doesnt just represent the beauty of today, but rather the expressive possibilities of
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